Below is a list of composers currently represented on this Web site. Clicking on a composer's name will bring up a list of madrigals available to be downloaded. Three downloads are available for each madrigal: Score (in PDF format), MIDI (.mid) and Text/Translation (also in PDF).

All downloads are free of charge; however, you must register with the site in order to download Scores and Texts/Translations.

Note that, in the case of madrigals in multiple sections, the full Text/Translation may be downloaded from the entry for the first section (the prima parte).

Aleotti, Vittoria
Arcadelt, Jacques (Giaches)
Artusini, Antonio
Bellasio, Paolo
Bertani, Lelio
Caletti, Giovanni Battista
Califano, Giovanni Battista
Capilupi, Gemignano
Casentini, Marsilio
Cavaccio, Giovanni
Cifra, Antonio
Costa, Gasparo
Croce, Giovanni
D'India, Sigismondo
Dalla Casa, Girolamo
Del Mel, Rinaldo
Dentice, Fabrizio
Falcone, Achille
Felis, Stefano
Florio, Giorgio
Freddi, Amadio
Gabrieli, Giovanni
Gagliano, Marco da
Gastoldi, Giovanni Giacomo
Gastoldi, Quarto libro (1602) (complete)
Ghizzolo, Giovanni
Giovanelli, Ruggiero
Guami, Francesco
Guerini, Pietro Francesco
Ingegneri, MarcAntonio
Isnardi, Paolo
Leoni, Leone
Mancini, Curzio
Marenzio, Luca
Masnelli, Paolo
Massaino, Quarto libro (1594) (complete)
Massaino, Tiburzio
Mezzogorri, Giovanni Nicolò
Monteverdi, Claudio
Mosto, Giovanni Battista
Nodari, Giovanni Paolo, Madrigali a 5 (complete)
Pallavicino, Benedetto
Rognoni Taeggio, Francesco
Rore, Cipriano (De)
Rossetti, Stefano
Rossi, Salamone
Ruffolo, Lucrezio
Sabino, Ippolito
Stabile, Annibale
Taroni, Antonio
Tomasi, Biagio
Tresti, Flaminio
Usper (Spongia), Francesco
Various (from Dolci Affetti, 1582)
Various (from Trionfo di Musica, 1579)
Vecchi, Orazio
Verdonck, Cornelius
Wert, Giaches de
Wert, Il Decimo libro (1591) (complete)
Wert, Ottavo libro (1586) (complete)
Zanchi, Liberale
Zanotti, Camillo
Zoilo, Annibale

Isnardi, Paolo

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Title and DescriptionScoreMidiTranslation
Ancorché col partire (SA A/T TTB) *NEW*
Isnardi was maestro di cappella at Ferrara Cathedral from the mid-1570s until his death in 1596. As such, he took part in the flourishing Ferrarese musical culture during the reign of Alfonso II d'Este. Unfortunately, not all his madrigal books have survived complete. His six-voice "Ancorché col partire" pays obvious homage -- with richer texture and at greater length -- to Rore's four-voice original (q.v.).
Dolc' Amaranta, addio (SAATB) *NEW*
Another version of what might be termed the “pastoral morning-after” theme: two lovers engaged in an anguished parting at daybreak, here served up with a liberal dose of pathos. For other madrigals on similar themes, see, e.g., Bertani’s and Vecchi’s settings of “Cara mia Dafne, addio.”
Il dolce mormorio (SSATTB) *NEW*
A setting of a text describing an idyllic pastoral scene, garnished with word-painting and other evocative effects.
La mia bella guerriera (SS A/T TB) *NEW*
The poet fretfully compares his love-object to an Amazon whose weapons are her glances. For another madrigal on a similar theme, see Massaino's "Amorosa guerriera."
O dolcissima bocca ed amorosa (SSATTB) *NEW*
Another setting of a well-worn theme: the irresistible allure of seductive kisses (and the mouths which produce them).
Va sconosciuto Amor (SATTB) *NEW*
Cupid, cunningly disguised, wreaks his usual havoc among mortals. Isnardi includes a clever treatment of the words "sol mi fa" in the last line of the text.

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