MASTER LIST OF COMPOSERS

Below is a list of composers currently represented on this Web site. Clicking on a composer's name will bring up a list of madrigals available to be downloaded. Three downloads are available for each madrigal: Score (in PDF format), MIDI (.mid) and Text/Translation (also in PDF).

All downloads are free of charge; however, you must register with the site in order to download Scores and Texts/Translations.

Note that, in the case of madrigals in multiple sections, the full Text/Translation may be downloaded from the entry for the first section (the prima parte).

NOTE ABOUT MIDI FILES: Mac users are advised that Apple's QuickTime application no longer supports MIDI. However, MIDI files can be played on GarageBand for Mac, as well as on some third-party freeware programs. Alternatively, users can request MP3 files of particular pieces by contacting Martin Morell.


Aleotti, Vittoria
Arcadelt, Jacques (Giaches)
Artusini, Antonio
Bati, Luca, Primo a 5 (1594) (complete)
Bellasio, Paolo
Bertani, Lelio
Boschetti, Giovanni Boschetto
Caletti, Giovanni Battista
Califano, Giovanni Battista
Capilupi, Gemignano
Casentini, Marsilio
Cavaccio, Giovanni
Cifra, Antonio
Costa, Gasparo
Croce, Giovanni
Croce, Quarto libro a 5 e 6 (1607) (complete)
D'India, Sigismondo
Dalla Casa, Girolamo
Del Mel, Rinaldo
Dentice, Fabrizio
Falcone, Achille
Felis, Stefano
Florio, Giorgio
Freddi, Amadio
Gabrieli, Giovanni
Gagliano, Marco da
Gastoldi, Concenti musicali a8 (1604/1610) (complete)
Gastoldi, Giovanni Giacomo
Gastoldi, Primo a 6 (1592) (complete)
Gastoldi, Quarto a 5 (1602) (complete)
Ghizzolo, Giovanni
Giovanelli, Ruggiero
Guami, Francesco
Guerini, Pietro Francesco
Ingegneri, MarcAntonio
Isnardi, Paolo
Leoni, Leone
Mancini, Curzio
Marenzio, Luca
Marsolo, Pietro Maria, Madrigali boscarecci a 4 (1607) (complete)
Masnelli, Paolo
Massaino, Tiburzio, Primo a 6 (1604) (complete)
Massaino, Tiburzio, Quarto a 5 (1594) (complete)
Massaino, Tiburzio, Terzo a 5 (1587) (complete)
Mezzogorri, Giovanni Nicolò
Monteverdi, Claudio
Mosto, Giovanni Battista
Naldi, Romolo, Primo a 5 (1589) (complete)
Nasco, Giovan (Jan)
Nodari, Giovanni Paolo, Madrigali a 5 (complete)
Pallavicino, Benedetto
Raval, Sebastiano, Primo a 5 (1593) (complete)
Rognoni Taeggio, Francesco, Primo a 5 (1613) (complete)
Rognoni Taeggio, Giovanni Domenico, Primo a 5 (1605) (complete)
Rore, Cipriano (De)
Rossetti, Stefano
Rossi, Salamone
Ruffolo, Lucrezio
Sabino, Ippolito
Santini, Marsilio
Stabile, Annibale
Taroni, Antonio
Tomasi, Biagio
Tresti, Flaminio
Tresti, Secondo a 5 (1587) (complete)
Usper (Spongia), Francesco
Valmarana, Girolamo
Various (from Dolci Affetti, 1582)
Various (from Trionfo di Musica, 1579)
Vecchi, Orazio
Venturi del Nibbio, Primo a 5 (1592) (complete)
Venturi del Nibbio, Primo pastorali a 5 (1592) (complete)
Verdonck, Cornelius
Virchi, Paolo, Primo a 5 (1584) (complete)
Virchi, Paolo, Secondo a 5 (1588) (complete)
Wert, Decimo a 5 (1591) (complete)
Wert, Giaches de
Wert, Ottavo a 5 (1586) (complete)
Zanchi, Liberale
Zanotti, Camillo
Zoilo, Annibale

Sabino, Ippolito

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Title and DescriptionScoreMidiTranslation
Rendeasi lieto il giorno (prima parte of 2) (SSATB)
A madrigal on the delights of pastoral life, by a prolific but little-known madrigalist who seems to have passed his career in the out-of-the-way town of Lanciano in the Abruzzo. The setting of the words "passar cantando" (spend [time] in singing) in the seconda parte is particularly charming. The piece has been transposed down a fourth; a version at the original pitch is also available.
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Poi d'invidia ripieno (seconda parte) (SSATB)
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La pastorella mia (SSTTB)
A lively, animated madrigal with a conventional pastoral theme: Shepherdess declares her love for Shepherd; Shepherd hastens to take advantage of her offer; Shepherdess promptly makes herself scarce.
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Perfido è giunto il fine (prima parte of 2) (SSATB)
A gloomy tale of betrayal and abandonment, told by a female protagonist. Perhaps a reference to a mythical figure in a similar predicament (Dido, Olympia, Ariadne) is intended.
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Ecco i' mi discoloro (seconda parte) (SSATB)
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Nel mirar gl'occhi (prima parte of 2) (SSATTB) *NEW*
Guarini’s daringly erotic madrigale “Tirsi morir volea,” with its barely concealed depiction of foreplay, consummation, and afterplay, provided a fertile source of inspiration for many composers, including Croce, Marenzio, Pallavicino, Tomasi, Wert and Zanotti (q.v.). The text also generated a considerable number of imitations and knock-offs. The version used by Sabino, an unabashedly obvious paraphrase of Guarini's original, provides an early example.
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Il pastor lasso (seconda parte) (SSATTB) *NEW*
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